Thursday 3 October 2013
Photo Composition - Landscape Photography
Do not forget the foreground in a landscape photo... the best way to capture the whole photo is to focus 1/3 of the way up from the bottom of the photo and use an f-stop of f/16 to bring as much into focus as possible.
To learn more about composition check out our workshops at www.northof49photography.com
Thursday 5 September 2013
How to photograph the Northern Lights
Photo courtesy of Tessa McIntosh, my partner in Northern Canada
The spectacle known as the northern lights is something I promise you will never forget, and if you are prepared to photograph them, you will be able come home and share your photos you are proud of with friends and family.
The Aurora Borealis occurs in the Northern hemisphere. It can be experienced in locations further
from the Arctic circles, but to improve your chances of seeing them you need to
spend some time on or near the activity zones. Iceland, Norway, Yukon and
Alaska are just some of the places famous for the Aurora Borealis in the Northern
hemisphere.
How to Photograph the northern lights
BASIC EQUIPMENT:
A good sturdy tripod. A remote trigger so you don't have to touch the camera.
The camera should be a 35mm SLR camera with manual focus (set to just shy of "infinity"), which works well for Northern Lights photography. Or an DSLR camera with the capability of BULB mode so you can manually control exposure times.
Digital cameras will need to have to be manually adjustable focus with ISO ranges up to 1600
RECOMMENDED PHOTO GEAR:
Beyond the basic photography equipment, you should bring the following
gear for great results: A wide-angle zoom lens, f2.8 (or lower numbers), will give great results photographing the Northern Lights.
If you have a prime lens (with fixed focal length) for your camera, bring it as well. If you notice the photo above, Tessa used a fisheye lens.
TAKING A PICTURE:
You generally will not be able to take good pictures of the Northern
Lights with short exposure times. Good exposure times for this are 20-40
seconds per picture (the tripod will help you eliminate shaking of the camera -
you can't hold the camera by hand.)
A sample exposure time for ISO 800 with an aperture of f/2.8 would be 20
to 30 seconds depending on the brightness of the lights.
LOCATIONS & TIMES:
It can be hard to predict the Northern Lights so you may be in for a
few hours of waiting during a cold night.
The best times generally are after midnight and range from October to the
end of April each year.
You should head out of the city and get away from light pollution to
obtain maximum quality of photos.
Tips:
1.Batteries don't last as long in cold nights. Bring spare batteries.2.Try lots of different exposure settings; night photography is challenging. Test your setup first.
3.Include a part of the landscape to make the photos more attractive and as a visual reference for size.
4.Do not use any filters, as they tend to distort the beauty of the Northern Lights and degrade the image.
5.Turn on "noise reduction" and the white balance can be set to 5000K or set to auto on digital cameras.
Techniques
To increase your chance of a
successful aurora hunt, you need to be aware of the weather. If it is cloudy, your chances of seeing the
aurora grow weaker. If you have a clear
sky you have a much better chance.
You also need to check the space weather for the northern lights
forecast. Please not, even if the space weather forecast is weak, it may still
be worth venturing out if you are up north in the areas that I previously
mentioned… Iceland, Norway, Alaska and the Yukon.
So you are in an active zone and
you have a clear sky and the space weather is a bit uncertain. You can increase
your chances again by eliminating light pollution.
The moon can also work against you.
If you are planning a trip to an Aurora zone, try to book it as I do
when there is a new moon.
Get your camera set up so that it is easy to handle. Using a flash
light make sure your cable is connected, your lens is set just short of
infinity and the camera is level to the ground. Then turn off the flash light
and let your eyes adjust to the darkness.
You can use the waiting time constructively. You can practice with your bulb and find a
good composition. Set your camera to
f/2.8 (or as wide as possible) iso 800 and take some test shots for 30 seconds. Do this in all directions but mainly due
north (Aurora Borealis). You may start
to see a green hue on your pictures near the horizon. This is a good sign and
this is the part of the sky you need to watch.
As the aurora starts to get brighter you need to start adjusting your
settings accordingly. Start by bringing
down your iso.
Important note… Always check the brightness of your image on the
histogram and never rely on the camera preview screen. Your eyes have adjusted to the dark so an
underexposed image will look fine – until you get it home! Speaking from experience…
the back lit LCD screen in the dark makes photos look brighter than they
actually are.
If the whole sky explodes and
the Aurora casts a shadow, you need to be quick to adjust your exposure
times. The best Aurora shots occur
during these brief moments. A faster
shutter of 8-20 seconds will preserve some of the details of the light display that separates the great photo from the average photo.
Star trails
The added bonus… Sometimes you cannot avoid star trails if you don't
trust iso 800 and your lens stops at f/4. If this is the case, you might be exposing for 2 minutes
with a weak aurora. Generally it is
preferred to expose for less than 30 seconds to prevent noticeable star
trails. Stars begin to move over 20
seconds… so if you want fixed stars you will have to increase ISO to 1600 or 3200 and keep
exposure times under 20 seconds… but, sometimes star movement adds an element
to the images you take.
Please join me in 2014 as I travel to northern Canada two different
times.
Yukon - April 2014 for northern lights and mountain landscapes
http://northof49photography.com/yukon-workshop
Northwest Territories - September 2014 for fall colors, landscapes and
northern lights.
http://www.rodbarbee.com/workshops/140920-northwest-territories
Tuesday 3 September 2013
Northern Lights and Mountain Landscapes Photography Workshop in the Yukon
March 29th, 2014
We'll welcome you at the airport and transfer you to the hotel in
downtown Whitehorse and we will get you checked in.
March 30th, 2014
Over breakfast we will go over the itinerary over a group setting.
There, we will present a slide show and give you tips on photographing in the
environments that we are about to shoot in.
After lunch we will head out into rural Yukon and show you the mountain
ranges, pristine lakes and make frequent stops along the way to let you enjoy
the sights through your lens.
At 8.30 PM we depart for our first of many Aurora hunts. Hot drinks and
snacks are provided
Breakfast and dinner included
March 31st, 2014
After lunch we will depart for Kluane National Park for landscape
photographic opportunities of the Yukon Mountains and lakes. On the way we stop
regularly to allow you the opportunity to take photos of the beautiful
landscape. Once we reach Kluane we can go for a short hike. Dinner will be in
Haines Junction. After dinner we will position ourselves for a sunset photo
opportunity before we drive to our nightly Aurora viewing location.
The 22 000 square kilometre Kluane National Park is set like a jewel in
the southwestern corner of the Yukon between northeastern British Columbia and
the tidewaters of the Alaskan panhandle. Much of the park's 129 kilometre
northern boundary is made up of the Alaska Highway and the Haines Road. The
Alsek River, known for its big water rapids created by the tremendous volume of
water it drains from the St. Elias Mountains, is so swift it appears that
native people have entirely avoided using it for travel or trade routes.
Lunch and Dinner included
April 1st, 2014
Sleep in or a morning at your leisure and go for one of your own day trips. We will
group together for lunch and spend a few hours going through your images. After
an early dinner we will grab our camera gear for another night
with the Aurora Borealis. Again, if the lights are dancing, we will stay out
taking photos for as long as the group wants.
Lunch and dinner included
April 2nd, 2014
Sleep in because we may have been out to the wee hours of the morning
shooting northern lights. After lunch we will head west for a journey down the
Alaskan highway. Through the mountain ranges we will venture and make frequent
stops at lakes such as Squanga lake and Little Teslin Lake as we search for the
perfect mountain vista, moose and other resident wildlife.
After an early dinner we will grab our camera gear one last time for
our last night with the Aurora Borealis. We will depart at 8:30pm and have you
back at your hotel by 1:30am so you can get some sleep and catch one of two
flights home the next day.
Lunch and dinner included
April 3rd, 2014
We will transfer to the airport for your flight home. There are two
flight options. A 6:00am flight and a 12:50pm flight bound for Vancouver.
Price of Workshop:
$2487USD for a maximum of 5
people Single Supplement is $250
Airport pickup and drop
Included:
Airport pick-up and drop-off Accommodation
Lunch and Dinner on day 2, 3, 4 and 5
Daily transportation via an 8 passenger Suburban or equivalent. Hot drinks and snacks during aurora viewing nights.
Not Included
Alcoholic beverages International flights
Items of personal nature
Items not listed as included
Deposit Required:
$500USD Balance due before January 15th, 2014.
Contact me at
kevin@photographers-lounge.com
Monday 19 August 2013
Species Spotlight - The Great Northern Loon
The Great Northern Loon is one of the five loon species. Its
closest relative is the other large black-headed species, the Yellow-billed
Loon or White-billed Diver.
Adults can range from 61 to 100 cm (24–40 inches) in length
with a 122–152 cm (4–5-foot) wingspan, slightly smaller than the similar Yellow-billed
Loon (or "White-billed Diver"). The weight can vary from 1.6 to 8 kg
(3.6 to 17.6 lbs). On average a Great Northern Loon is about 81 cm (32 inches)
long, has a wingspan of 136 cm (54 inches), and weighs about 4.1 kg (9 lbs).
Breeding adults have a black head, white underparts, and a
checkered black-and-white mantle. Non-breeding plumage is brownish, with the
chin and foreneck white. The bill is black-blue and held horizontally. The bill
colour and angle distinguish this species from the similar Yellow-billed Loon.
Bone structure contains a number of solid bones (unlike
normally hollow avian bones), which add weight but help in diving.
Distribution and habitat
The Great Northern Loon breeds in North America, Greenland , Iceland ,
and Great Britain .
This species winters on sea coasts or on large lakes of south Europe and the United States , and south to northwestern areas
of Africa .
Behaviour
Chicks will ride on their parents' backs
This species, like all divers, is a specialist fish-eater,
catching its prey underwater, diving as deep as 60 m (200 ft). Freshwater diets
consist of pike, perch, sunfish, trout, and bass; salt-water diets consist of rock
fish, flounder, sea trout, and herring.
The bird needs a long distance to gain momentum for
take-off, and is ungainly on landing. Its clumsiness on land is due to the legs
being positioned at the rear of the body: this is ideal for diving but not
well-suited for walking. When the birds land on water, they skim along on their
bellies to slow down, rather than on their feet, as these are set too far back.
The loon swims gracefully on the surface, dives as well as any flying bird, and
flies competently for hundreds of kilometers in migration. It flies with its
neck outstretched, usually calling a particular tremolo that can be used to
identify a flying loon. Its flying speed is about 120 km/h (75 mph) during
migration. Its call has been alternately called "haunting,"
"beautiful," "thrilling," "mystical", and
"enchanting."
Great Northern Loon nests are usually placed on islands,
where ground-based predators cannot normally access them. However, eggs and
nestlings have been taken by gulls, raccoons, skunks, minks, foxes, snapping
turtles, and large fish. Adults are not regularly preyed upon, but have been
taken by sea otters (when wintering) and Bald Eagles. Ospreys have been
observed harassing divers, more likely out of kleptoparasitism than predation.
When approached by a predator of either
its nest or itself, divers sometimes attack the predator by rushing at it and
attempting to impale it through the abdomen or the back of the head or neck.
Breeding
The female lays 1 to 3 eggs on a hollowed-out mound of dirt
and vegetation very close to water. Both parents build the nest, sit on the egg
or eggs, and feed the young.
Relationship with humans
These birds have disappeared from some lakes in eastern North America due to the effects of acid rain and pollution,
as well as lead poisoning from fishing sinkers and mercury contamination from
industrial waste. Artificial floating nesting platforms have been provided for
loons in some lakes to reduce the impact of changing water levels due to dams
and other human activities.
This diver is well known in Canada ,
appearing on the one-dollar "loonie" coin and the previous series of $20
bill, and is the provincial bird of Ontario .
Also, it is the state bird of Minnesota .
The voice and appearance of the Great Northern Loon has made
it prominent in several Native American tales. These include a story of a loon
which created the world in a Chippewa story; a Micmac saga describes Kwee-moo,
the loon who was a special messenger of Glooscap (Glu-skap), the tribal hero;
native tribes of British Columbia believed that an excess of calls from this bird
predicted rain, and even brought it; and the tale of the loon's necklace was
handed down in many versions among Pacific Coast peoples. Folk names include
big loon, black-billed loon, call-up-a-storm, ember-goose,
We often see Loons on our workshops and have experience anticipating
their movement to offer you the best opportunity to photograph them in the
environment.
Please check out our workshops and come photograph some
Loons. www.northof49photography.com
Labels:
#canada,
canada,
great northern loon,
photography workshops
Sunday 18 August 2013
Canadian Photography Workshop Series
I have had the pleasure of travelling to some fantastic places... Africa, France, Mongolia, Eastern Europe, South America... and no matter where I go, and who I meet, I always get asked about Canada, my home.
I guess its the expansive nature of our country. The draw of the Rocky Mountains, the expansive prairies, the eclectic economic center of Ontario and Quebec, and the iconic eastern provinces on the Atlantic Ocean... and definately not to be left out, our territories to the north, and their allure of untamed lands and wildlife...
Over the past year I have been mulling an idea that would bring International Photographers to Canada. A friend of mine, Tim Vollmer, brings photographers from around the world to Iceland and hosts amazing trips that can be found nowhere else on earth...
Canada also has that diverse and unique offering, and frankly, I think better opportunities than Iceland, (sorry Tim... LOL)
So in July of 2013, North of 49 Photography was launched. North of 49 refers to the latitude line of our border with the USA. So all workshops and tours that this new company will conduct, will be north of the 49th latitude line.
Our Canadian instructors and guides have knowledge of the lands and the wildlife that we will be photographing to ensure that you have the best experience possible. These Canadian instructors and guides will also support the International Photographers that visit Canada with their friends and clients. So, you get two professional photographers to help you when you come to Canada. This offers a great ratio and increases your learning time.
Currently we have a variety of workshops and tours that focus on the very photogenic Pacific coast in Tofino, British Columbia, a few workshops centred around thousands of migratory bald eagles, Northwest Territories for landscape and Northern Lights, and as well, a workshop up in Algonquin Park and the Kawartha region of Ontario.
All of these workshops can be found at www.northof49photography.com
In the coming months we will also be adding a few polar bear workshops in Nunavut and an east coast lighthouse workshop along the Atlantic coastline.
I hope you will bookmark the site and refer back to it often. We will be constantly updating the workshops and the blog will be filling up with all the information you will ever need on Canada, its people, its regions and where we will be travelling to.
I wanted to thank you all for your support with the Photographers Lounge. That company will continue to operate our International Workshops and local one day workshops under www.photographerslounge.ca
Thanks,
Kev
Tuesday 6 August 2013
Canadian Species Spotlight - The Osprey
The Osprey sometimes
known as the sea hawk, fish eagle, or fish hawk, is a fish-eating
bird of prey. It is a large raptor, reaching more than 60 cm (24 in) in length
and 180 cm (71 in) across the wings. It is brown on the upperparts and
predominantly greyish on the head and underparts, with a black eye patch and
wings. In 1994, the osprey was declared the provincial bird of Nova Scotia , Canada
The Osprey tolerates a wide variety of habitats, nesting in any location
near a body of water providing an adequate food supply. It is found on all
continents except Antarctica, although in South America
it occurs only as a non-breeding migrant.
As its other common name suggests, the Osprey's diet consists almost
exclusively of fish. It possesses specialized physical characteristics and
exhibits unique behavior to assist in hunting and catching prey. As a result of
these unique characteristics, it has been given its own family.
The Osprey is the second most widely distributed raptor species, after the Peregrine
Falcon. It has a worldwide distribution and is found in temperate and tropical
regions of all continents except Antarctica .
In North America it breeds from Alaska and Newfoundland south to the Gulf
Coast and Florida ,
wintering further south from the southern United
States through to Argentina .
The Osprey breeds near freshwater lakes, and sometimes on coastal brackish
waters. The nest is a large heap of sticks, driftwood and seaweed built in
forks of trees, rocky outcrops, utility poles, artificial platforms or offshore
islets. Generally, Ospreys reach sexual maturity and begin breeding around the
age of three to four, though in some regions with high Osprey densities, they
may not start breeding until five to seven years old, and there may be a
shortage of suitable tall structures. If there are no nesting sites available,
young Ospreys may be forced to delay breeding. To ease this problem, posts are
sometimes erected to provide more sites suitable for nest building.
Ospreys usually mate for life. Rarely, polyandry has been recorded. The
breeding season varies according to latitude. In spring the pair begins a
five-month period of partnership to raise their young. The female lays two to
four eggs within a month, and relies on the size of the nest to conserve heat.
The eggs are whitish with bold splotches of reddish-brown and are about 6.2 by
4.5 cm (2.4 by 1.8 in) and weigh about 65 g (2.3 oz). The eggs are incubated
for about 5 weeks to hatching.
The newly hatched chicks weigh only 50–60 g (1.8–2.1 oz), but fledge in
8–10 weeks. When food is scarce, the first chicks to hatch are most likely to
survive. The typical lifespan is 7–10 years, though rarely individuals can grow
to as old as 20–25 years. The oldest European wild osprey on record lived to be
over thirty years of age. In North America Bubo
owls and Bald Eagles (and possibly other eagles of comparable size) are the
only major predators of both nests and sub adults.
You can often find Osprey flying around and fishing in many of the lakes
and streams we visit on our workshops with North of 49 Photography. www.northof49photography.com
Please check out our workshops and contact us if you see anything that
interests you.
Kev
Monday 5 August 2013
Social Media Workshop for Photographers
As a small photography business owner that has a limited budget for
traditional marketing efforts, social media and the internet should be playing
huge role in helping you gain new clients and grow your business.
While many of us have entered the social media space, there is always
room for improvement and definitely ways to streamline the work load, while
increasing your conversation ratios of casual followers to paying clients.
Does these statements sound familiar?
I have a website, Why do I need Social Media?
I am ready to use the internet and social media in a smart and meaningful
way–without taking time from your primary business?
I want to reach and engage prospects directly instead of wasting time
and money on passive advertising?
I want to create a community of advocates who promote and support your
business for you?
Is there a special connection to customers that you've heard others
have–but you're missing?
Does the ever-changing information about social media confuse you?
And–maybe you'd like some expert guidance to help you understand and
use all that social media has to offer?
Some Quick Facts about Social Media That We Will Address
Facebook has 1 billion users, twitter has about 500 million. How many
of those users do you think could be potential customers?
Social media increases your online presence, making your company easier
to find through searches and organically.
Posting on Social Media increases your brands exposure, and who
wouldn't want more exposure?
Social Media gives you a free platform where you can have conversations
directly with customers that may otherwise never hear of your company!
Complaints happen. Addressing public customer complaints quickly and
efficiently can contain the spread of negative feedback, and can also help
create new raving fans.
Our Social Media Workshop is a great way to help you and your staff
identify your target audience and establish a strong message you'd like to
deliver through a number of social media outlets. We will help you identify the
best social media platforms for your business, because what's right for some
isn't right for all. We will make sure you and your staff become comfortable
communicating with your customers and creating meaningful conversations online.
It's a great way to align your marketing strategies with your online
media initiatives, and make social media work for you.
About Your Instructor
Kevin Pepper has over 12 years working in the Internet industry for
large multi-national organizations and some of Canada’s largest media
companies. Companies such as Canwest, Sun Media and Trader Classified Media.
From managing one of the world’s largest internet business targeting used
car buyers to teaching small to medium sized businesses on maximizing the power
of the Internet, Kevin’s social media and internet experience is extensive.
Having changed his career in 2011, Kevin now operates two companies
that offer local and international photography workshops for enthusiastic
photographers.
Pulling from all his past learnings, Kevin now offers other
professional the insights he has learned so that you can benefit from this
knowledge and grow your own business, not matter what budget you have for
marketing.
Here is a breakdown of the workshop:
January, 25th, 2014 - 6 hours long (we begin at 9:00am to
Noon, and then resume at 1:30pm and go till 4:30pmPart I
Objectives
Audience
Message
Part II
Overview of Social Media Choices
Recommendations
Who does it?
How often?
Options & Costs
Best Practices
How to measure success
Our sessions include brainstorming and interactive feedback and
everyone takes away the maximum amount of knowledge specific for photographers.
Location is in Cambridge, Ontario
Cost is $150 plus HST/ per person (payment due at time of registration, non-refundable) - first 20 registrations for $69.00
We will send you a form for your employees to fill out prior to the
workshop to make sure we are all prepared and we can completely customize the
workshop to your needs and goals
We will follow up with our written recommendations for your company
Contact Information:
(phone) 519 620 9185(email) kevin@photographers-lounge.com
Once you contact me to register you will receive a questionnaire to
better help me understand your business situation and your specific needs. This
will help me address your specific concerns and maximize the personal feedback
you receive after the workshop.
I look forward to seeing you at our next social media workshop.
Kev
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